Who was Joe D'Amato aka. Aristide Massaccesi? A genius of horror in the USA, a master of eroticism in France, the king of porn in Italy. A man with a thousand pseudonyms capable of making over 200 films while simultaneously holding the roles of producer, director, author, director of photography and even camera operator. An artisan of cinema as he liked to call himself, capable of working on all film genres. From spaghetti western to post-atomic, decamerotic to glossy eroticism, and blockbuster porn to bloody horror. Guided by the aesthetics of extremes and supported by an undeniable technical ability, Joe D’Amato pushed himself, and the viewer, beyond all limits following with dedication three rigid principles that have become his stylistic code: Amaze, Shock, Scandalize.

The Road of Excess is a film about mental health, addiction, toxic masculinity, and the loss of fame through the eyes of ex-Dirty Sanchez star Matt Pritchard. Dirty Sanchez was a Welsh “Jackass” that was one of MTV Europe’s most popular shows in the early ’00s. After its end, Matt fell into darker times. Through the stories shared with his co-stars, his mother and his best friend, we learn about the fallout they suffered. From mental health issues such as depression to substance addiction and then more physical conditions. Dealing with these demons Matt exchanged one addiction for another, endurance sports. Each time the challenge has to be bigger and at the end of 2020 he decides to join a team to row across the Atlantic.

Interviews with friends of the late Jim Morrison and several people involved with the making of the film The Doors (1991) by Oliver Stone, delving into what Morrison meant to everyone including themselves.

Delves into the career of the notorious Italian filmmaker, Aristide Massaccesi aka Joe D'Amato, the infamous director behind the legendary Video Nasties Anthropophagus: The Beast and Absurd.

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Lightning McQueen and his best friend Mater head east from Radiator Springs on a cross-country road trip to meet up with Mater’s sister.

Jaejoong filmed this documentary starting in Gongju, the small town where he was born in. Jaejoong will tell the story of his journey of becoming an artist from his childhood dreams, to making his debut and becoming the global artist he is right now. The documentary will also share his never-before-told secrets and feelings about different experiences in his journey.

Jaejoong filmed this documentary starting in Gongju, the small town where he was born in. Jaejoong will tell the story of his journey of becoming an artist from his childhood dreams, to making his debut and becoming the global artist he is right now. The documentary will also share his never-before-told secrets and feelings about different experiences in his journey.

The sudden death of her mother brings Myung-eun back home to Jeju island. There she meets her estranged sister Myung-ju and Myung-ju's daughter Seung-ah, still living at their old home, and Hyun-ah who has lived with them for over 20 years like a relative. A career woman whose hard exterior masks her illegitimacy and abandonment issues, Myung-eun tells Hyun-ah she wants to start looking for her father after the funeral. Single-minded in her desire to dig up memories of her father and discover why he left, Myung-eun resents that Myung-ju, who like their mother is a carefree fish trader and an unmarried mother of a young daughter, seemingly doesn't care. At first Myung-ju is reluctant to accompany Myung-eun, but after Hyun-ah persuades her, guilt and her sense of duty as an older sibling prevails. And so the two sisters who are dissimilar in character...

On a drive back home in a dirty car, three young women talk about other people. Their conversation flows naturally, and takes them into uncharted territory.